Technicolor announced it would build a $26 million, 3000sq m visual effects studio in the South Australian capital in February 2018. This is on top of a similar federal measure, set at 30 per cent of growth expenditure. The South Australian Government also offers a 10 per cent rebate for post-production, digital and visual effects work, designed to attract international film business. The decision to locate the studio in South Australia followed a $6 million grant from the State Government’s Economic Investment Fund, which expects the project to have an economic benefit of more than $250 million over a decade. I don’t understand why more people aren’t moving here.” “I think it’s Australia’s best kept secret. “There are some really great landscapes,” he said. The Australian moved from Queensland to Adelaide for the position at Mill Film – something he was surprised more people don’t do. Twenty-five years later, he’s worked on feature films such as Kong: Skull Island, Rogue One and Avengers: Age of Ultron. Thorley, pictured below, said he first stumbled into a career in digital effects after landing a job as a financial controller in a post-production company. “What was also really attractive about this location was to be CBD based, close to transport, close to shops and services for our crew.” We have created a lot of areas to have spaces for individuals to meet, collaborate, relax and work together as a team. “I think it’s important in the design of the building. “Our crew tend to be desk bound, behind a computer, and I think getting them outside in the fresh air, with sunlight, a bit of recreational space outside is a good thing,” he said. Thorley said Mill Film wanted to create an environment unlike other post-production and digital effects studios. The expansive balcony overlooks several Adelaide landmarks, including Parliament House, the Governor’s residence and Adelaide Oval. “We’re really looking forward to summer.” “You can come have social events out here and take a meeting, do a video conference, get some fresh air, and the views are beautiful right? “It’s unique to have an area like this where you can come out and have some relaxation time and work together as a team,” he said. Mill Film Adelaide managing director Mark Thorley said the outside space was a large drawcard in choosing the building. There are six “view rooms” used to review work, a 40-seat theatre with 4K projection, “secret pods” with views across the hills and three kitchens – the largest of which gives way to a deck with a barbeque. Mill Film Adelaide, which aims to employ 500 people within five years, is divided across three floors.ĭeveloped by South Australian design collective Studio Nine Architects, it features open-plan artist spaces and production rooms enclosed in floor-to-ceiling glass. Operating under the Mill Film banner, the South Australian visual effects studio has already attracted 300 creatives from across the globe to its Adelaide headquarters in Terrace Towers, adjoining the Myer Centre on North Terrace.
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